A Minimal Future? Art as Object, 1958-1968, LACMA, 2004, Brand New w/Shrink

Goldstein, Ann, et al. A Minimal Future?: Art as Object, 1958-1968 (Los Angeles; Cambridge, MA: Museum of Contemporary Art; MIT Press, 2004).

English, Brand New in shrink-wrap, a Brand New book in a Brand New dust jacket, HC, 4to, 11 1/2" x 8 3/4," 452 pp., including illustrations.

ISBN: 0262072513

Brand New in shrink-wrap. Brand New white cloth-covered boards. Covers pristine and intact, binding tight, sharp tips. Brand New orange and white paper dust jacket with black-and-white lettering on spine. Dust jacket pristine and intact. Shrink-wrap split in a few areas along extremities. Pages pristine and intact. Replete with illustrations in black-and-white and color. Comprehensive monograph and exhibition catalogue that was published on the occasion of a show held at the Los Angeles Museum of Contemporary Art (LACMA). The exhibition delved into the Minimalist art movement from 1958-1968 and examined its relation to modernist abstraction, Conceptual Art, and Pop Art. Features the works and innovative designs and ideas of forty artists associated with Minimalism, including but not limited to: Carl Andre, Jo Baer, Judy Chicago, Dan Flavin, Robert Grosvenor, Hans Haacke, Eva Hesse, Donald Judd, Sol Lewitt, Agnes Martin, John McCracken, Bruce Nauman, Claes Oldenburg, Richard Serra, Frank Stella, and Anne Truitt. Artworks featured herein represent a variety of art disciplines including painting, sculpture, and installation art.