Exhibit Catalogs

Chinese Art from Distant Centuries: Vol. 2, S. Bernstein & Co., 1993, Fine w/DJ

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Bonsai, Chuzo Onuki, 1964, 1st Printing, Plates & Guide, Very Good w/Slipcase

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$150.00
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The Dinner Party: A Symbol of Our Heritage, Judy Chicago, 1979, First Edition, HC, VG.

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$94.00
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Stephan Balkenhol, Galerie Bernd Kluser, 1996, SC, VG.

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$38.00
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In Defense of Beauty, Tom Bianchi, SIGNED, 1st Ed., 1995, Fine w/DJ

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Remix: Selections from the International Collage Center, Fine, 4to, HC

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$49.00
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Fletcher Benton, SIGNED, Edward Lucie-Smith, Paul J. Karlstrom, 1990, Fine w/DJ

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Jim Dine, James R. Mellow, New York City: The Pace Gallery, 1979, SC, Very Good

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$24.00
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Joan Manning-Sanders: A Young Artist, Helen Ferris, 1931, Very Good w/DJ

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Mechanismus der Bedeutung (Werk im Entstehen: 1963-1971), 1971, Very Good w/DJ

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$45.00
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Juan Gris: His Life and Work, Daniel-Henry Kahnweiler, Harry N. Abrams, 1946, VG

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$84.00
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The Paintings of Hans Holbein, Paul Ganz, Phaidon, Enlarged Ed., 1956, Very Good

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$34.00
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Willem De Kooning: The Artist’s Materials, Susan F. Lake, 2010, SC, Near Fine

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$28.00
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Richard Diebenkorn, Paul LeBaron Thiebaud and Stephen Nash, 1999, SC, Near Fine

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$33.00
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Norma Bessouet, Jacobo Fiterman, Fundacion Alon Para Las Artes, 2011, SC, NF

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$28.00
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Cezanne's Portrait Drawings, Wayne Andersen, MIT Press, 1970, Near Fine w/VG DJ

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Michele Cascella, Georges Pillement, SIGNED by Cascella, 1958, Very Good

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Matta, Museo Nacional de Arte Reina Sofia et al., 1999, Near Fine Catalogue

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Richard Artschwager: Objects as Images of Objects, David Nolan Gallery, 2008, HC, NF.

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Twenty-Five Treasures, Fall 1990, Campbell-Thiebaud Gallery, SC, Very Good

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$32.00
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Craft in the Machine Age, 1920-1945: The History of Twentieth …, 1995, Fine w/DJ

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Urban Walls: A Generation of Collage in Europe & America, 2008, Fine w/NF DJ

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Fine art exhibition catalogs for group and solo shows at galleries and museums. 

The exhibition catalogue is a distillation of the exhibition, often featuring images and essays as well as artist exhibition chronologies, timelines, and bibliographies. 

The catalog is sometimes the only remaining record of an exhibition, therefore it has relevance as printed material, but also as an artifact.